Showing posts with label satsang. Show all posts
Showing posts with label satsang. Show all posts

Monday, 4 September 2017

Flowers in the Rain – Dave Davies

 


Like a perfect spider's web
Almost unbearably pretty, delicate, like a perfect, intricate cobweb spun across your path on a summer’s day, ephemeral, evanescent, something that cannot last, that a casual hand or gentle breeze might accidentally sunder. An evocation of another era, the innocence of all our childhoods. Suffused with sadness, regret, longing, tenderness, but also the understanding, forgiveness and acceptance that accompanies the passage of time. It reminds me in a way of Fleetwood Mac's Say Goodbye, written by Lindsey Buckingham.

A wistful but philosophical meditation on young love, from the vantage of the present, with Dave’s voice even more affecting as it breaks slightly reaching for a note, as if what he feels can't be restrained by his physical ability, that it transcends something so corporeal. A melancholy refrain gives way to a chorus that gently takes flight, never soaring but remaining in harmony with the simple restraint of the song. It refuses to aggrandise the sentiment into something it’s not.

More Artful Dodger than Oliver
in Dead End Street, wicked boy
The video of this on YouTube was my first sighting of a grown-up Dave. I only started liking the Kinks, as you can tell from these blogs, in 2011. And the fact that he was so much older than the wicked boy I had seen in Kinks videos, physically almost frail (post-stroke), increased the song’s poignancy, as a reflection on a youth that was over and the exuberance, purity and intensity of first love.

Pretty boy
Every time I heard this song I used to cry, particularly if I were watching Dave sing it live at those unforgettable Satsang events, detailed in Dave Davies Breaks My Heart (Again): Satsang I and Dave Davies: Satsang II: April 2012: You Only Live Twice. It’s like a snippet from someone’s diary, personal, intimate, authentic. I’m not sure that Ray could write a song like this because he has too much self-awareness. Dave has an emotional intelligence that, put into song, can transcend some of Ray’s writing. And here there’s something unadulterated, a truth, something that Ray perhaps can't access as easily (or chooses not to access) because his intelligence, his craft, get in the way, advising an ironic distance; he has too many options, too many personae, too many angles and ideas. He sees each side. And Ray rarely opens his heart like this. He keeps his heart under wraps, keeps it safe. Here Dave shares an experience, private and precious, at once individual and universal, lets his guard down, exposes his vulnerability. It was this song that made me like Dave. I went on to love the dis-ingenu Dave of the early Kinks, always more Artful Dodger than Oliver, the wicked boy.
Today as I'm sifting through these photographs of you/Never thought I'd feel this way/All these memories keep calling me to you/How I wish they'd go away/All these visions just remind me of better days/And I miss you most of all/When I see Flowers in the Rain/I see you laughing as we run across the fields/Through the thunder and the rain/Finding shelter in each other's arms that day/All the things I didn't say/All these words keep going round and round in my brain/And I miss you most of all/When I see Flowers in the Rain/Wish I could do something about it/Life can be cruel, no doubt about it/In life's many mysteries/It just wasn't meant to be, oh no/I miss you most of all/When I see Flowers in the Rain.
Another pretty boy
Ray’s style is more masterful, more knowing, more constructed, an artifice, in words and music. There’s truth and power but it’s one step removed. His songs make you think as well as feel. But when they’re simple and seem heartfelt, you know it’s a decision, the reflection of a thought, that this is how he meant them to sound although early Kinks songs had a similar immediate charm. I would say that Ray is probably a deeper thinker than Dave generally (and I'm sure that Dave would take issue with that), that Dave doesn't always consider before he acts, is more impetuous in life. And the result is songs that don't always make sense lyrically, don't necessarily follow any standard template but seem to arise organically and have an added impact because of that, for instance, This Man He Weeps Tonight and Mindless Child of Motherhood. I'm not going to say Ray's work is not emotionally affecting because I'm moved by so much of it, from the super successful (Waterloo Sunset - unbelievably, this seems to be the first time I've mentioned this fantastic song in any of my Kinks blogs, as if I didn't appreciate its consummate artistry) to the, to non-Kinks fans, relatively obscure (Get Back in the Line), not to mention the incredibly rousing I'm Not Like Everybody Else (this live version is particularly amazing). But he will never let his guard down (in his work at least). Dave is unguarded. There is an honesty and directness in this and many other Dave songs. It’s as if the song were born, rather than carefully crafted, although I know it wasn’t. There's something  uncomplicated, unostentatious, sincere, instinctual that we react to instinctively.

Dave then
This song is almost like when you pick a scab off a cut to reveal fresh skin underneath. It’s still tender but it’s healed, it's new. Love is lost; love is found; we lament, but scars fade and life goes on. Dave moves on, often burning his bridges behind him.

So, how can I fall out of love with Dave, when songs like this still touch me? And that’s not nothing. It’s something: to be moved by a tune, a lyric, a delivery, all of which are in their way, Dave’s way, immaculate here. Flowers in the Rain is a direct call from Dave's heart to our hearts to which our hearts cannot help but respond.



Dave in 2017

Tuesday, 5 November 2013

Adventures in the Kinkdom


Here’s a brief précis of my Kinks blogs so far.

I become enchanted

and bewitched

Dave Davies Satsang Experience
First time around

Setlist and band members

You Only Live Twice

Muswell Hillbillies, Kinks locales



X-Raying X-Ray



Uncovering Kink


Kink vs X-Ray

Movie Stars

Village Green

Come Dancing

Ray Davies Live
At Canterbury

At the Hop Farm

On tour with Ray



Dave Davies Guitar Hero

Dave Davies & George Harrison Paralle1 Lives 1

Dave Davies & George Harrison Paralle1 Lives 2
Ray Davies at the BBC

Bashful Badger also summarised her Kinks blogs so far in a digest.

Wednesday, 16 May 2012

Dave Davies: Satsang II: April 2012: You Only Live Twice

So we decided to have this once-in-a-lifetime experience twice. Starting to remind me of a title for a James Bond movie.

I’m not going to write a complete blog as I don’t want to repeat what someone else might do or has done. Instead, a few snapshots of the weekend, in words. Plus ruminations on the nature of faith.

‘I'm all about denial/But can't denial let me believe’ (‘Pavlov’s Bell’ – Aimee Mann)
I suppose that’s how I would categorise my feelings for Dave’s credo and in fact, any religious doctrine or spiritual creed. Simply wanting to believe cannot make it so because logic, reason, a natural propensity for scepticism often triumph over need and desire. They’re the Spaniards in the works as Lennon might say. Ok, I’m not the world’s most logical person but I do tend to ask too many questions.

So my beliefs bear more resemblance to superstition than anything else. I pray to St Anthony for lost items and to St Jude for lost causes. For me, faith of any kind is a triumph of will over common sense. Dave is obviously very well read and has done his research but me, I judge by results. If it works, I do it again. (Talking of ‘Do It Again’, have just seen the documentary so a review will follow shortly.) I’m not someone who ponders on whether the tree falling in the forest makes a sound kind of thing. Life’s too short; let’s not go there.

Say you watch a fantasy series, you need to suspend your disbelief in order to accept that vampires exist, that Buffy can kill them, that Sunnydale is the Hellmouth, etc. My attitude reminds me of something my Dad once said, while watching an episode of Smallville (I’ve long since stopped worrying about my Dad’s unerring interest in US teen dramas); one of the teens with meteor powers uses them in a destructive way, so, in order to control this, she’s forced to wear a bracelet made of lead, which prevents her from accessing her powers. My Dad is up in arms over this: ‘Ridiculous! As if a lead bracelet could do that! …’, etc. He’s happy to believe that a meteor shower could give people special abilities, that an alien arrived from the Planet Krypton and is living as a Kansas farmboy before becoming Superman but he draws the line at the efficacy of a lead bracelet. Now, whenever we’re watching something that does invite the suspension of disbelief, and we’re tempted to question an event that seems even more unlikely than the general tenor of the film might dictate, we call it ‘having a lead bracelet moment’ and laugh at ourselves – why is this one thing less credible than the rest? But we all have them, I think, those moments, however spurious, the lines we’re not willing to cross, either out of reason or out of fear, the bridge too far. I’m not sure Dave has them though and that’s what makes his outlook and his conversation so fascinating. It could lead anywhere.

Dave doesn’t discount or disavow other religions, mentioning Christ, Ganesh and Buddha – he’s inclusive and accepting and has cast his net wide in search of enlightenment. So, we’re looking at a patchwork quilt of different philosophies, so that, as well as a buffet lunch, we can partake of a spiritual smorgasbord (always wondered if I’d ever get a chance to use that word), with some options for the more refined palate, or those who have acquired a taste for something relatively rare, and others more easily digestible to the spiritual novice.

It’s the sort of thing I’m perfectly at home with, although I don’t accept that any of it is necessarily true or real; I have a similarly inclusive mentality. Why shouldn’t it be so? Although I’ve never seen an angel, I believe Dave when he says he has. At the risk of sounding facetious, I always wanted a visit from the Blue Fairy.

Perhaps my problem is that I’ve never particularly desired enlightenment. I’m more at ease with confusion. Should the divine be explicable or should it remain a mystery? Transubstantiation, the Trinity (such a beautiful word), reincarnation, all lovely ideas that might fall apart under analysis.

What seems contradictory though is the rejection of the ritual of established Western religions (vicars, communion, incense, kneeling to pray and so forth) and the embracing of concomitant rituals in Eastern faiths, such as gurus, types of breathing, mantras, chanting, meditation, all of which to me are just symptoms of the same kind of mind control. Why should chanting a certain phrase be any more effective than saying a Hail Mary? I’m sure Dave would say it wouldn’t be, that they would both have value.
Maybe I harp on about this because I find being instructed, however gently, when and how to breathe extremely stressful, partly because of my complete inability to comply, and thus, while for others, it is inducing a sense of peace, the perfect prelude to meditation, in me, a state of panic is rising and the very opposite is achieved.

[In the ante-room, there’s a statue, a Buddha or an Indian god, I can't remember, with a bowl of satsumas in front of it. I was just about to nab one before I realised that possibly they were an offering to the deity – I’ve been on a Buddhist retreat so I’m a little wise to this sort of thing – I do see someone else take and eat one later though but I won't tell on them.]

Who’s to say what’s real, whether the voices people hear are those of spirit guides or demons or aliens or the result of drug-induced psychosis? If the latter, does it make them any less valid? Maybe it’s simply another way of opening the mind, of looking at the world? Perhaps it’s how we react to them that determines our fate, whether we consider them friend or foe. I know many people who have, sometimes as the result of a bad trip, sometimes through stress, developed what used to be diagnosed as schizophrenia. Some have never returned to ‘normality’ (whatever that is – I know the way I live would not fit most people’s definition; as Dave says in Kink, ‘What’s normal, anyway?’), some are fine for a while on medication, then relapse, some just cope with the existence of a certain amount of what could be deemed ‘unreality’. Just watched a documentary on Peter Green; his experience with mescaline is a good example.

Dave copes well without his spiritual helpmeet, Rosina, absent through illness but the schedule suffers a little – I wanted to hear about the UFOs but, for some reason, we never got round to this.

Without the constant rain of last year, we were able to appreciate the location. Although not far removed from town, there was still a sense of remoteness, of cut-off-ness, ideal for a retreat. Plus this time we took the Magic Bus (some of our number having been on the real ‘Magic Bus’ that I had only read about in novels and didn’t imagine had actually existed), so the length of the path we were on felt emphasised as we were driven through picturesque chocolate-box villages on our way out to sea.

That connection with Dave, not as pronounced this time, but he certainly felt my breathlessness, as an asthmatic without an inhaler, when I entered the room, asking ‘Are you having trouble breathing?’ I was suffering from a sense of disquiet too that I hoped I hadn’t communicated to him (or that he hadn’t communicated to me) as a friend thought he seemed more relaxed than last year. I thought he was pretty relaxed last year.

I was more in awe than last time, perhaps because then I had only liked the Kinks for two months and had had only a little time to absorb the huge amount of material they had produced over their thirty-year career, not to mention all the solo stuff. I knew they were amazing but hadn’t really absorbed the scale of their talent.

Highlights of the gigs: Dave on acoustic ‘Are You Ready, Girl?’, ‘Fortis Green’ a stormer both nights, ‘Milk Cow Blues’ a rousing finale, the new songs, ‘Green Amp’ and ‘Remember the Future’, which he did when requested. Dave, ever obliging, sang, when asked ‘Visionary Dreamer’, with a member of the audience and delivered ‘Dead-End Street’ almost word-perfect although it had not been rehearsed. Surprised by how much I enjoyed ‘Hare Krishna’, even the singing along and ‘Creeping Jean’ which used to frighten me. Loved dancing to ‘Sea of Heartbreak’. I had requested ‘Imagination’s Real’; they had rehearsed it; but Dave didn’t seem to want to play it so I said I didn’t mind if they didn’t. Listening to it now and it’s so darn pretty, I wish they had played it.

As Molly, our lovely yoga teacher, was about to leave, there were calls for ‘Good Golly Miss Molly’. Thank God Dave had the presence of mind not to comply; the lyrics would have been a little inappropriate ‘Good golly, Miss Molly, Sure likes to ball’ for this remarkably prescient young lady.

Band personnel (as last time but minus Kristi – we missed you): Jonathan Lea, David Nolte, Frank Rawle. And Dave of course!

People: There were fewer of us (due to some last-minute cancellations) so it was great to see some familiar faces and get better acquainted as well as meet some new recruits. Last year, there were some people I only spoke to on the last day and wished there’d been more time. With fewer people, it was easier to get to know each other. Although the instant sense of camaraderie wasn’t there – that first time was different probably because it was the first time – they were all lovely, like- and open-minded folk.

The artwork: I did manage to add something to it this time; last time I never got round to it and thought any addition I made could only detract from the general effect. So I went with words instead of images. As Jackie (Leven) was very much on my mind, I used an album title of his. Luckily, writing with a paintbrush looks sort of artistic.

Mementoes: There was a raffle and I got a copy of The Aschere Project: Two Worlds, which is probably ‘prog’ enough for my Dad to like. I’ll have to lend it to him. Interesting and actually much more listenable than I expected. (Actually two days since I wrote this, I woke up singing the title track - it's a grower.)




Also managed to scalp a setlist that the band was kind enough to autograph and received another special memento, courtesy of Jonathan (it’s nothing inappropriate).

(Sorry to quote Ray here but he does have a way with words)
For all of us there, I can only say follow Dave’s advice and ‘Trust your heart’. Surely any issue or disagreement can be resolved if we simply allow love, compassion and respect to prevail.

On our last night, members of the group said they were going to reconvene at the Anchor in the evening and gave us very specific directions to reach it. We passed these onto the rest of the party. Left Dave’s house and tried to find the pub. Came across another one, the Crown, but had somehow missed the Anchor, I thought because we’d been talking, and walked past it. I was dispatched into the pub to ask. The natives were friendly and happy to engage with me on the subject of the mysterious Anchor although they listed all the pubs in town (which I already knew) and could only surmise that we were expected to go to a nearby town (we’ll call it ‘Mordor’) where there was a Blue Anchor. Mordor was a long way away, down a very steep hill. I said ‘I’m not going to **** ing Mordor!’ Then my sister came in, and noticed people waving at us from the back of the room, the people who’d told us to come to the Anchor. Even now, they had no idea this was the Crown. Girls! Anyway, then I went back to the bar and asked the regulars to pretend this was the Anchor if anyone else asked. Sure enough, another group arrives, puzzled too that here’s a pub at the exact location but it’s not the right pub. So they ask a man smoking outside – ‘Do you know where the Anchor is?’ and he replies, ‘Apparently, it’s here tonight’. It was a lovely pub though, with a turntable and we could choose our own music from a box of records on the table, so we started off with a Kinks greatest hits, so inevitably there was dancing; the backroom looked like a record library. What an amazing collection. Plus they stayed open till 1 a.m., still serving one of us. How welcoming.

So the tale of how we renamed Dave’s local for one night will make us legends in our own lunch hour.

Picture is of the sunrise after a
Sunrise from the hotel
‘Sleepless Night’
Had a strange experience in bed that last night. I take a lot of medication to help me sleep but suddenly I found myself thrown off the bed so violently that I bit through my lip, causing it to bleed and swell up. I’ve never fallen out of bed in my life before and this was a double bed, much bigger than mine. Now, if I’d bitten my tongue, I could have taken it as a sign … . Annoyingly, we were going to meet someone we work with the next day, for the very first time, so he’s going to think I’m a bit of a bruiser, like the young Dave, picking fights in bars. I did notice that everyone was very friendly to me on the train home, no doubt anxiously wondering what the other guy looked like.

Anyway, it was great fun but it feels weird to blog about it because it’s a little like going to stay with friends then writing a report afterwards ... what they said, what you ate and so on ...

Booked tickets to see Ray now but can't imagine it could compare to being a foot away from Dave when he’s performing. If only Ray were playing some more intimate venues. Looking forward to it though.



Friday, 21 October 2011

The Kinks – Progress of an Obsession: Part II

So now some thoughts as I journey into the Kinks back catalogue as well as wander through some more up-to-date songs from the Davies brothers. Please forgive the zeal of the newly converted.

First of all I think there are two reasons why songs I didn’t think I knew seem so familiar to me. One is that they have that uncanny ability to infiltrate my consciousness and take up residence there, even if I’ve only heard them once. Another is that there are songs by different artists, which contain sometimes very small snippets of melodies from Kinks songs. But how is anybody supposed to write songs when the Davies brothers have written them all already? Here are some examples that I feel owe a little debt to the Kinks. Let me know if you agree or can think of more.

99 Red Balloons – Nena / Better Things
Mulder and Scully – Catatonia / Get Back in the Line
Hello, I Love You – The Doors / All Night and All of the Day
Lorraine Parade – Danny Wilson / Do You Remember Walter?

I won't be listing which song is written by which brother. You probably already know. The majority of Kinks songs were written by Ray but Dave’s songs are great favourites of mine too. Dave’s songs are emotional (like his personality) and tend to bypass my head and go straight for my heart; Ray’s are more sentimental, more observational but just as touching. Lucky for me I’m partial to both.

I’m Not Like Everybody Else
Listening to this song I didn’t know – performed late in their career, the 90s, with Ray on lead vocals but actually a really early release, the B-side of Sunny Afternoon, 1964 (and originally sung by Dave) – it sounds totally contemporaneous with the 90s and is quite aggressive, bitter, defiant and triumphant. Challenging, even threatening, and Dave’s guitar is amazing. Glorious to hear the crowd joining in. The original version is much lighter and less antagonistic, less guitar-heavy. Now both brothers sing the rocked-up version brilliantly. That’s the thing though – there are so many songs, many of which were only demos or B-sides and more or less thrown away and yet they’re tons better than anything in the charts today. I mean This Man He Weeps Tonight, Well-Respected Man – how can you better that?

Get Back in the Line
Several nights running I’ve had a refrain in my head and even though I’ve listened to loads of songs throughout the day, this hook stays with me, plaintive and melancholic and such a great tune, proving itself unforgettable. My sister eventually identifies it as Get Back in the Line. And it’s not even the chorus but the verse. Oh my God, what a song. Every day I wake up singing a different Kinks song. It’s bliss.

Starstruck
After seeing the video, you can understand why the band could forgive Dave later for spitting in their faces (as Ray claims). He’s impossibly sweet, impetuously grabbing Pete Quaife’s hand. All of them look like they’re having such a great time. So incredibly young and full of happiness. Why couldn’t it stay like this?

Waterloo Sunset
Can't add too much to what’s already been said by Pete Townshend and his ilk. The lilting melancholy melody seems to ebb and flow to the gentle rhythm of the river. An elegy for London.

The Village Green Preservation Society
A title that I can’t imagine grabbed anyone in the 60s but a characteristically and curiously charming song. Footage is from some BBC show from the 70s I think. (Why doesn’t the BBC show all of them, instead of tiny snippets on other programmes?) You can see that Dave is waiting for Ray to start and sometimes finish the line because he’s forgotten the words and there really are a lot of words. I can't imagine that Dave ever knew all of them, particularly not the ‘consortium’ line. But you’ve got to love someone who can rhyme vernacular with Dracula in a song. Or ‘regatta’ with ‘get at her’. Sublime.

Picture Book and Mr Pleasant
The counterpoint between the two of them really makes the songs. Dave forever smiling and Ray occasionally granting a smile to Dave. Their voices blend and echo each other so perfectly. The video for the latter is so affecting. They actually look like they like each other. Could Dave *be* any cuter? Can he see himself in a mirror (straightening his hat, fixing his hair)? Could anyone else carry off that ridiculous hat with such aplomb and charm? I like the way he gives the nod to the trombonist to come on, very pantomime. Unbearably lovely.

Holiday
Another song that rings a faint bell. 1973 concert. Ray’s eyes so beautiful when he finally opens them. He goes from fey and affected to impassioned in a heartbeat. God, the boy can sing. By now, he’s grown into his looks and has let his hair get long – it’s a lovely incarnation. He looks ghostly - sweaty and preternaturally pale.

Flowers in the Rain
Dave, Dave, Dave – stop it. You’re making me cry. Beautiful, heartbreaking, unbelievably touching. Lovely melody, heartfelt delivery.

Working Man’s Café
Ray dedicates the middle eight to Dave. I speculate that Ray is always trying to communicate with Dave through songs or asides at concerts, that many of his songs have lyrics about Dave (and himself, all mixed up). Here it’s:

I thought I knew you then but will I know you now?
There's gotta be a place for us to meet
I'll call you when I've found it
I only hope that life has made us a little more grounded

But other examples are Dandy, Better Things (some verses seem to be about Dave, others about Ray), Dedicated Follower of Fashion, Rock and Roll Fantasy (surely about them?), All Night Stand, Two Sisters, Heart of Gold (about the two of them), Long Way from Home and possibly He’s Evil. Even One More Time, I wonder about - ostensibly about a former lover but ...

Any more you can think of?

After a very short while, the songs that I initially didn’t like are suddenly favourites:

Alcohol
Thought this was too histrionic, too Jacques Brel, too self-indulgent, with Ray melodramatically hamming it up. Now I adore it, particularly the 77 live version from the Rainbow. What a performance! Magnificent hair toss at 4.36ish.

Apeman
First I’m amazed that these kinds of videos (or promos as they used to call them) exist as I thought the concept of song videos didn’t get going till the 1980s. I have to comment on YouTube: Boys – you know it’s wrong to make smoking look so cool.
I’d sort of dismissed this as a silly novelty record. It isn’t at all, despite Ray singing about equality in a non-ironic faux Jamaican accent. And some of the ideas are topical today. But the whole thing is just a joy. It makes you happy. Of course promos in those days seem to consist of people walking around in parks, all very innocent and sweet. Adorable.

In interviews, Ray makes it seem like he knows what’s going on in Dave’s life but he’s usually about three years out of date. That might even be deliberate: a passive aggressive stance. To me, watching them together playing or in interviews, it seems that they fall into roles and Dave will always be the younger, less responsible brother. As Ray says at the end of a song in 1977 – he has to play the wicked headmaster as usual. It’s inevitable but it seems as if neither of them actually likes these roles they’re destined to play.

Ray can only be nice about Dave when Dave’s not there. Then he’ll talk about his incredible right hand or say he was the angst and energy of the band. Otherwise, when they're together, he comes across as dismissive and critical, as if he’s waiting for Dave to mess up and embarrass them both. Sometimes Dave is happy to oblige, do what's expected. Then if Dave gets to say something, joking about not being able to get a word in edgewise, Ray kills him with a glance. But in the Imaginary Man documentary, Ray says of the band, ‘I miss them more than they could possibly know. I miss them. They probably think I don’t but I think about them a lot.’ They obviously still care about each other so perhaps there's still hope for what we daren't dream of.

Addendum
Now, after more exposure to the music (God, I have a lot of to catch up on and it’s going to be such fun), my new favourite tracks are Rock Me, Rock You (so beautiful), Get Back in the Line (as mentioned previously) and All Night Stand.

Next time: My thoughts on the Dave Davies Satsang Weekend.